Stanley Mathabane ’17 was an accomplished jazz musician in high school. When he came to Princeton, he joined Triangle Club and decided to concentrate in psychology and earn a certificate in theater. Then Tony Award-winning professor Rob Kaplowitz turned him on to sound design, and now Stanley has combined his background in music with his love of theater to create a new score for his future.
A needle peeks through the thick fabric as trim is sewn onto a costume. A tap shoe clicks its energetic, syncopated rhythm on the stage floor. A soprano's voice wends its way through the air with heartbreaking melody. Bodies leap and bound, then gently connect and dissipate. And anyone in the rehearsal room can ask, "What if? …"
Before visitors step inside Princeton’s world-class art museum, they are greeted by a monumental glass and steel sculpture, a creative bridge from the campus’s arboretum-like setting to the visual treasures inside. Noted artists Doug and Mike Starn, twin brothers whose work has been exhibited at New York City’s Metropolitan Museum of Art, the Macro Museum in Rome, and the Israel Museum in Jerusalem, among other public and private collections, designed (Any) Body Oddly Propped especially for the museum’s front lawn. The commissioned work features eighteen-foot-tall panels of color made in a new glass-dyeing technique pioneered in Germany.
The contemporary landmark was made possible in part by the generosity of painter and conservationist Shelly Belfer Malkin ’86 and Anthony E. Malkin.
Inspired by the desire to help broaden boundaries for vision-impaired people, three Princeton University students created an armband device that allows a wearer without the ability to see to interpret color. The project emerged from a new class offered for the first time this spring, "Transformations in Engineering and the Arts," and lived up to the name of the course.
In designing the new Music Building and Lewis Center for the Arts complex, architect Steven Holl sought to create a collective space that would relate to the rest of the campus. In this video, he discusses his vision for the project and University Architect Ron McCoy *80 describes the connections Princetonians have with the University’s venerable buildings, and the challenge that presents for this new generation of architecture.
A Princeton alumnus and his wife have given $10 million for the Music Building that is part of the University’s arts complex under construction near University Place and Alexander Street. The building eventually will be named by the donors, who wish to remain anonymous for now.
Princetonians gathered at HBO’s New York City headquarters on February 3 for a preview screening of the newest documentary created by Andrew Jarecki ’85.
Long before she came to Princeton, Tula Strong ’15 was a dancer. But until she came to Princeton, Strong thought she would choose another field for her career. “Princeton gave me the opportunity to turn something that I love into something that is respected in the academic field,” Strong said.
Evelyn Giovine ’16 set her sights on a professional acting career at an early age. “By eighth grade I knew that’s what I wanted to do,” she said. So she faced a tough decision when choosing between a conservatory and Princeton. She selected the University, convinced that it offered the best opportunity to integrate improving her theatrical skills with expanding her academic horizons.
Percussionist Jason Treuting and graphic designer Danielle Aubert, inaugural Fellows in the Creative and Performing Arts in Princeton’s Lewis Center for the Arts, are spending two years on campus, teaching and collaborating with students and faculty. The fellowships, open to early-career artists in all disciplines, bring new artistic energy to campus while allowing students to learn from professionals.